Beyoncé Online

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Welcome to Beyoncé Online - your #1 source for everything Beyoncé Knowles. You'll find here a lot of interesting information, one of the biggest photo galleries with over 100.000 pictures, downloads and more! Be sure to check out the latest news about Mrs. Carter and leave your comments. We hope you'll enjoy your stay and come back soon! Have fun!

Latest news

Beyoncé on "Being Serena"

May 23, 2018

Beyoncé was featured in one of the episodes of "Being Serena," an HBO documentary series focusing on Serena Williams, in the scenes from the tennis player's wedding.

Beyonce Nominated for Two BET Awards

May 16, 2018

The nominations for this year's BET Awards were announced Tuesday night and Beyonce is up for two awards:

Best Female R&B / Pop Artist
Beyonce
SZA
H.E.R.
Rihanna
Kehlani

Best Collaboration
Bruno Mars feat. Cardi B - Finesse (Remix)
DJ Khaled feat. Rihanna & Bryson Tiller - Wild Thoughts
DJ Khaled feat. Jay-Z, Future & Beyonce - Top Off
Cardi B feat. 21 Savage - Bartier Cardi
French Montana feat. Swae Lee - Unforgettable
Kendrick Lamar feat. Rihanna - LOYALTY.

BET's annual telecast celebrates black excellence in music, film, TV, sports and philanthropy and will air live June 24 from the Microsoft Theater at 8 p.m. Eastern time.

Tina Knowles Took Beyoncé and Solange to Counseling as Children

May 15, 2018

Beyoncé and Solange Knowles went to counseling as young girls in order to help them deal with the popstar’s rising fame.

The singers’ mother, Tina Knowles Lawson, opened up to Maria Shriver during a Facebook discussion for the former TV reporter’s Architects of Change segment on social media Friday.

Knowles Lawson, 64, revealed her own childhood upbringing — where she felt her mother loved her brother more — affected how she raised her daughters.

“I had days that I devoted to . On Wednesdays, I took off from work and that was Solange’s day. She was a lot younger than Beyoncé and it was tough because was five years older and Beyoncé was this little superstar in our city,” Knowles Lawson said.

Despite dedicating certain days of the week to each daughter, the designer said she took extra steps in ensuring that her children had a close and supportive relationship instead of a competitive one.

“I took them to counseling so that, very early, the counselor could help Beyoncé be more sensitive to Solange,” Knowles Lawson explained. “She couldn’t stand her for a minute. You know, they were little, was all in her stuff, trying to hang around her and her friends and Beyoncé was really irritated but it made her more sensitive to who her sister was and what she had to deal with because of her.”

Coachella Phone Cases Available on Shop Beyonce

May 15, 2018

New BΔK phone cases plus a laptop decal are available now for pre-order on Shop Beyonce!

Beyoncé's Wings Of Desire Unveiled At The V&A

May 11, 2018

"I do love butterflies", Grammy award-winning superstar Beyoncé tells me, "but the Papillon was something special". Today her dazzling Papillon will be unveiled as a permanent exhibit at the V&A Museum, donated it as a gift from her private collection, to the William & Judith Bollinger Gallery. The ring’s glittery green mosaic-style wings, created by London jeweller Glenn Spiro using 326 tsavorites, and not surprisingly, 342 brilliant-cut diamonds, "Yes, diamond’s are always a girl’s best friend," says Beyoncé, who spends time looking for distinctive jewels because, "they remind me of a special moment".

"She and Jay-Z buy beautiful things", explains Spiro, "Not just jewellery but also art; they are collectors." The three friends were hanging out together in Los Angeles, in a suite at the Peninsular Hotel, when the subject of the V&A seeking exciting examples of contemporary jewellery cropped up. "She immediately said she’d like to donate the jewel," he says.

When he was originally imagining the design in his West End atelier (once the showroom of couturier Norman Hartnell) he fashioned the stones flat. It wasn’t until he developed a titanium spring, wrapped like a diamond-set antennae over the knuckle, that the butterfly’s wings took flight and were able to flutter in time with Beyoncé’s finger.

"This titanium setting couldn’t have been done until recently and it’s so incredibly delicate," says Richard Edgcumbe, Senior Curator of the V&A Museum, as he turns the butterfly over in his gloved hands. "Of course it's close in spirit to the quivering en tremblant jewels of the 19th-Century which also needed human agency to make the diamonds quiver and come to life. Beyoncé is a role model in so many ways that having her personal jewel will be transforming to the gallery," Edgcumbe adjusts his tie, "to be honest we’re all quite star struck at the thought of it".

Beyoncé Online #39

May 7, 2018

Since the On the Run II Tour starts in just one month, I decided to design a new Beyoncé & Jay-Z layout for the website! I've been working really hard on it so I hope you'll like it! I know that many of you visit the site on your mobile phones so the new lay is fully responsive. Let me know what you think in the comments!

Beyonce.com: Happy Birthday Adele

May 5, 2018

Beyonce posted a birthday message for Adele on her website.

Kelly Rowland Responds to Rumors Destiny's Child Is Joining OTR Tour

May 5, 2018

Destiny’s Child just had an epic reunion at Coachella last month — but according to Kelly Rowland, that doesn’t mean they’ll be joining Beyoncé and JAY-Z on tour this summer.

After rumors spread that Rowland and Michelle Williams would be joining the superstar couple for their upcoming On The Run II tour, Rowland, 37, tells PEOPLE that they aren’t true. In fact, there hasn’t even been any talk about the possibility.

“This is the first time I heard it — this morning,” Rowland told PEOPLE at Schick’s F.A.B. event in N.Y.C. on Thursday. “I was like, ‘Well, that’s news to me!’ There hasn’t been anything we discussed. She and Jay are getting ready to go on tour — I’m sad because I won’t see those babies.”

But according to the singer, the girl group is just as in sync as they were during their Destiny’s Child days. Rowland adds that while they spent days in rehearsals for their most recent reunion at Coachella, hitting the stage with Beyoncé and Williams by her side felt just like old times.

“It was long days but it was so fun. I think the best part was it felt like we were just on stage yesterday. It didn’t feel like it was years that we haven’t been together, and that’s how natural we are together as friends, as sisters.”

Beyoncé Launches New Vegan Meal-Planning App

May 4, 2018

Beyoncé delivered the performances of a lifetime from Coachella with good reason. She is in great shape, and that all started in the kitchen. She attributes her healthy eating lifestyle of going vegan and wants to share her tips with you. The pop star recently launched a vegan meal-delivery service 22 Days Nutrition which is owned by her and vegan nutritionist Marco Borges.

22 Days of Nutrition uses a matching system to connect users to plant-based meals curated by nutritionists. It allows you to customize your meals based on cooking habits, dietary needs, allergies, household size, and goals. At that point, the meals are personalized for you. The app consists of thousands of recipes ranging from breakfast to dinner and boasts that they are easy and simple to make.

After you’ve chosen what you like, you can either take your grocery list to the store or order in app. The platform has partnered with Instacart and Peapod to allow users to order their groceries online and have them shipped directly to their doorstep.

“We believe that optimum health shouldn’t be something that is reserved for a select few but is a right for all. Everyone deserves the opportunity to live their best, happiest life,” states the site.

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May 3, 2018

Beyoncé's Choreographers Talk Coachella

Since November, Chris Grant and JaQuel Knight have been up to their elbows in marching bands, musicians and dancers — dozens of men and women from an array of traditions.

Beyoncé may have been front and center at her spectacular Coachella performances last month. But two of her secret weapons were Mr. Grant and Mr. Knight, the show’s main choreographers.

From the start Beyoncé was clear about what she wanted. “She said, ‘Let’s do a homecoming,’” Mr. Knight said. “Boom. A nice, clear concept that we were all able to snap into and execute.”

In the nearly two-hour performance, references to homecoming at historically black colleges and universities (H.B.C.U.s) — complete with a marching band and a glittering majorette solo — lived alongside dance styles ranging from flexing, a form born on the streets of Brooklyn, to stepping, a percussive form popular in fraternities and sororities.

Beginning in December, Mr. Grant and Mr. Knight worked with Beyoncé’s music team and started their preliminary dance preparations. By January, they started skeleton-crew rehearsals. “We worked with 12 dancers for a month just to start to further develop the ideas that we laid down in December,” Mr. Knight said. “We started to build choreography.”

Gradually, they added more dancers and used them to create the precision movements for the musicians. “When we got to the band we simplified it even more,” Mr. Grant said. “Some of them had their own natural feeling, which we loved.”

But their favorite part of the experience, they said, was working with Beyoncé, who thrives on collaboration. They’ve worked with her for 10 years. (Among other credits, Mr. Knight is known for the “Single Ladies” video; Mr. Grant, Mr. Knight and Dana Foglia for “Formation.”) “She’s all about hearing us out,” Mr. Grant said, “because you may have a perspective on something that can be really cool. No matter who it comes from, if it’s magical, if it’s hot,” she’s interested.

In a telephone interview this week, Mr. Knight, 28, and Mr. Grant, 29, discussed their latest theatrical adventure and their devotion to Beyoncé. As Mr. Grant said: “I feel like I’m living in a generation where she is the new Michael.”

These are edited excerpts from our conversation.

Did Beyoncé talk about the show’s choices in terms of its politics?

JaQUEL KNIGHT We don’t really consider it political. For us, it’s embracing who we are. The show was very black, for a lack of a better word, from all aspects, and we wanted to show love through who we are. This is where we come from and this is how we love and this is how we jam and this is our world. I think the whole H.B.C.U.s and the homecoming experience is a very specific experience. If you’ve never been to a homecoming game, you don’t know.

She wanted to introduce that to the world?

KNIGHT Yeah. That’s something that hasn’t been done before on the stage like this and it feels good. Beyoncé’s all about how can we do things differently, but keep the musicianship and the showmanship and the precision of it all — it just made sense. She’s been adding horns to her songs for the past couple of years and boom: Let’s get a whole band. So much of what we’ve been doing made sense in this world — even with the things we were doing with “Formation.”

What kind of movement looks good on Beyoncé? What is natural?

CHRIS GRANT She’s really good with her neck. She can really hit and snap at certain moments, but also be cool and chill.

KNIGHT She can do anything. She’s weird. I’ve seen times where she imitates people. When you put somebody magical in the room she will make them do it 10 times, 20 times. She’s pulling and learning from you and toward the end it’s like, “Wow — you are really studying me and you are really getting it.”

One thing about Beyoncé is she pays attention to detail. That’s what I learned from her. You’ve really got to pay attention and then on top of that, add your own sauce.

What kind of stamina does she need to get through a show like this? Do you work with her on cross-training?

KNIGHT She has a trainer and she also comes in and does a full dance warm-up and stretch with us. She just had twins, so we spent a lot of time strengthening her and getting her back into it. Your body goes into shock if you’re not prepared to do a show of this caliber.

Is there a signature style for the female backup dancers?

KNIGHT We have created a language with the choreography that has a street vibe and a great line as well. So the body always looks good. And then it’s a level of personality on top and feeling — things you really can’t teach. It’s a combination of technique, street and personality. And magic.

How did you put together the marching band for the show?

KNIGHT We flew quite a few people in from Atlanta, because it was pretty difficult to cast in L.A. for the specific swag and funk and charisma that we were looking for. We worked with Don Roberts, who was the consultant on “Drumline.” We basically created our own professional level marching band.

How did you focus your time with a show this huge?

KNIGHT No one does one job. There’s no “you’re the music guy, you’re the choreographer, you’re this, you’re that.” It’s creative. allows us all to be open: What are your thoughts on this? Chris is the guy from choreography who also splits his time making sure the music is correct. He’s even built in his own tracks and presents ideas to Beyoncé. She’s all about whatever’s hot is hot.

Does Beyoncé like the rehearsal process?

KNIGHT Beyoncé’s going to rehearse every day. We have rehearsal every day — forever — until the show: “Do it again, do it again. O.K., one more time. O.K., I’m gonna go, maybe y’all can do it once more and send me the tape.” She just wants the show to be tight.

GRANT Everything we do, everything is choreographed — it’s not just movement. It’s never going to be perfect, and that’s the whole point of rehearsing to the last minute. Everything is choreographed to a T.

Do you wish it were looser?

GRANT We’re so crazy like her that we’re just kind of used to it. Anything can happen, but when you’re so well rehearsed you’re also prepared. You can just can hop off and hop right back in like nothing. And to me she’s the queen of it.

Did you get to rehearse in the desert at all?

KNIGHT We had one day in the desert.

GRANT One day.

KNIGHT At Coachella, when it gets windy, you can’t rehearse. It was super windy the day of our rehearsal. They had to bring the lights and the speakers down. They shut us down. So that was our one day spent in the desert: We ran it once in the hot sun with no lights. This goes back to what Chris was saying — we have to be prepared.

Why did you want to incorporate so many kinds of movement?

KNIGHT It keeps everything interesting and it doesn’t allow your power to become stale. The audience can stay on its toes. We like to have technical moments — we have a duet with Jasmine Harper and King Havoc, where they combined their worlds. She comes from a beautiful ballet background and he comes from a beautiful street background. Use the flexers here. Come out and boom — let’s combine a bit of our African training here.

I think for Beyoncé, adding as many different elements of dance as we can is cool. As a pop entertainer, people see her as being one dimensional: coming out, shaking her butt and going to the next song. So we really tried to steer away from that.

Do you think that she knew how historic this show would be?

KNIGHT I don’t think any of us were expecting it to be this big of a thing. It’s still blowing my mind. We even had a quick conversation with Bey as we were rehearsing for Week Two. She was like: “Wow. People really loved the show, huh?”

GRANT She was saying, “I guess we did our job.”
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