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How was it collaborating with Beyoncé in terms of her imparting her vision, but then giving you the space to go and pursue yours?

It was a really great experience just to have the support from her in terms of resources and the attention it was going to be given because there's so much great work that is made out there that doesn't really get distribution. And another thing was just how respectful she was. I wish all directors and producers of culturally-sensitive material treated it with a level of seriousness that she did. There were so many conversations about what things meant. If it appeared in the shot, she wanted the meaning of what it meant, the history of it, even if it's like a mural, she wanted to know who painted it. I've never produced something and had to also be an archeologist at the same time.

There were a lot of days where I was like, "Oh yeah, I've never really thought about, even though that's part of my culture, I've never really thought about the actual history of what that means." And so, that lent itself to a lot of cool conversations and a lot of really cool moments. We were discussing cultural appropriation and I sent her clips of a Nollywood movie that is named after her. There were just like a lot of just weird conversations that were bouncing around during the project that led to certain choices being made. I really enjoyed all the questions she would ask me, because a lot of them I didn't really have an answer to. It's just some of those things where it's part of your culture, part of your life, but you're like why am I drawn to this? Why am I attracted to this? Like, what does this mean to me? Or what does this mean to other people in my life or other people with my identity, things like that. So, that was probably the most interesting part about collaborating with her, how much she wanted to know and understand. I've never really had a director or producer just be such a scholar. And even still, she was telling me that she had learned about other people and places and things making this project.

Beyonce premiered the music video for "Brown Skin Girl" on YouTube and shared new stills.

How long was production from start to finish?

Zerina Akers: My part, wardrobe, was about three months – concept to finish. But there are people who have worked on it longer. Beyoncé had the idea to do a much smaller project and it grew from there. She was like, ‘I want to start this thing.’ So I started going into fabric stores and swatching things that spoke to me as I listened to the music in my headphones. And then I had to get on the horn and call my counterpart who handles a lot of the market. I just called everyone I knew that could make things. I hired a whole new team of seven people.

When you first started going to those fabric markets, what was the brief at the time?

Zerina Akers: At that point, Beyoncé wanted to do quick bites. It was originally meant to be a few music videos. She wanted to shoot a minute of each song — a small piece to promote the album. And then it evolved and snowballed. It’s a Beyoncé project, so course we knew it would have a certain magnitude. But we had no idea at the outset that it would become what it is now. But most of all, I wanted her to feel good and empowered as she was performing. That was the most important thing for me. That she feels great.

Zerina Akers and Kwasi Fordjour shared more stories from the set of "Black Is King".

Zerina Akers shares the inspiration for the visual album, which dropped a week ago on Disney+.

There are not many performers who can steal even an iota of the spotlight away from Beyoncé when she’s locked in. But in Black is King, her new visual album released last week on Disney+, an intriguing figure returns again and again to demand viewers’ attention. He wanders gorgeous African landscapes pensively, eyelids heavy and skin painted so blue as to appear almost translucent; he dances side by side with Beyoncé, hips jerking, tongue flailing outward.

That man is Stephen “Papi” Ojo, a self-taught 22-year-old Nigerian-born performer who has quietly played an outsize role in bringing African dance to American stages. He flanked Rihanna’s right shoulder at the 2018 Grammys as their gwara gwara dance (from South Africa) became a moment of international fascination; he taught Janet Jackson the kupe (from Ghana) for her music video “Made For Now,” a vibrant whirlwind of diasphoric triumph.

And in Black is King, Ojo is the most prominent face beyond that of its headlining star. He plays the “blue man,” who represents the subconscious of the protagonist prince and the power of African dance. It’s another unexpected moment of ascendance for a self-described “boy from Lagos” who has experienced harrowing personal tragedy and is still searching for financial stability: just a few months ago, he was packaging boxes overnight at an Amazon warehouse in Staten Island.

“I have to make sure my people are properly represented,” Ojo says. “The fact that we have a legend like Beyoncé doing these moves will make people generations from now want to research them and think, ‘If Beyoncé is doing it, it must be important! It must have some kind of meaning.’”

Beyoncé really knows how to get a gal in her feelings. Let’s just say, I’ve have been in a perpetual state of “OMG” since watching the mega star’s latest feat of genius, Black is King. And according to the internet, my social media feed, and everyone with a Disney+ subscription—I’m not alone.

If you’re not hip to the hype yet, the 80-minute film is an odyssey through the African diaspora as told via the music and vision of arguably the most famous (and celebrated) African-American woman in the world…Beyoncé Knowles-Carter. True to form and history, Beyoncé did not come to play...she came to slayyyyy. And that she did.

Anyone would be moved by this unique take on the story of The Lion King--but as a Black woman, I’ve gotta say, it just hits different. Back culture is fully on display and as Queen Bey proudly professes in the opening scene: “Let Black be synonymous with glory.” So, at the risk of sounding overly dramatic *but* completely real, I’ve definitely been sitting taller and straightening my figurative crown over the past several days.

And speaking of crowns, let’s talk about the HAIR—all the mesmerizing hair! Trust, the fashion and beauty were prominent characters throughout the film. So, it comes as no surprise that Beyoncé tapped one of her beloved hairstylists, Neal Farinah, to lead the charge in executing the film’s iconic looks.

Farinah has spent over 15 years working with Beyoncé and created many of her most head-turning ‘dos. And again, if you’ve watched Black is King or seen any of the visuals (that are no doubt filling your IG feed) than you’ll know that the hairstyles created for this film are the most epic of his career.

Beyoncé's latest visual album, “Black Is King,” is a reimagining of Disney's “The Lion King," celebrating the cultures and customs of the African diaspora. Tina Knowles-Lawson says one of Beyoncé's intentions was to display Africa's beauty and show Black children the beauty of their culture.

It's no surprise that so many people are already calling Beyoncé's Black Is King "iconic." Ever since the singer's visual album (a companion to the music of The Lion King: The Gift) premiered on Disney+ last Friday, the Beyhive has been raving over the project, with celebrities like Kerry Washington, Adele and Keke Palmer taking to social media to praise the visuals, costumes, cinematography and more.

Now, in an exclusive new interview with ET, co-director Kwasi Fordjour is spilling all the details on how Black Is King came to be and what it was like traveling all over the world with Beyoncé.

"It started a year ago, and at the time, it wasn't a grand idea; it was a video," Fordjour tells ET's Kevin Frazier. "We had just finished 'Spirit.' That was the first visual from the album, and she wanted to release more visuals. We were discussing what we would do, what the process would be, and that's how it all started."

"For me, it's pretty exciting," he adds, of what it's like working on such a massive production. "Your adrenaline starts to rush and it becomes like, 'OK, what are we going to do, how are we going to do it, where do we start?' When you get into the space where you're so interested and enthralled with creating worlds and spaces, it becomes fun, and she makes it fun."

Fordjour tells ET that Black Is King was filmed in several locations, from South Africa to Belgium to London, and even Bey's home in Los Angeles.

In the gallery you'll find screen captures from Beyonce's visual album "Black Is King".

Experience a new visual album inspired by The Lion King: The Gift. Black Is King, a film by Beyoncé, is now streaming exclusively on Disney+.

The Black Is King Collection is available now on Shop Beyonce.

UPDATE: More items have been added.

"Black Is King" is streaming now on Disney+! Watch the latest trailer for the visual album below.

Head over to the gallery to see new stills and a behind the scenes photo from "Black Is King"!

A special message from Beyonce with footage from "Black Is King" aired this morning on Good Morning America.

"Black Is King" premieres tomorrow at 12 midnight PST / 3AM EST on Disney+.

Yesterday, Parkwood Entertainment and Disney+ released the new trailer and poster for Black Is King, a film by 24-time GRAMMY® Award-winner Beyoncé Knowles-Carter, which will premiere globally on July 31, 2020, streaming on Disney+.

The new film based on the music of The Lion King: The Gift, will premiere two weeks after the one-year anniversary of the theatrical release of Disney’s global phenomenon, The Lion King. The film reimagines the lessons from the 2019 blockbuster for today’s young kings and queens in search of their own crowns.

Simultaneously, a distribution deal was announced to make Black Is King available on much of the African Continent, including South Africa, Nigeria, Ghana, Ethiopia, Namibia, Cameroon, Liberia, Burundi, Senegal, Togo, Somalia, Benin, Congo, Kenya, Ivory Coast, Zimbabwe, Malawi, Gabon, Cape Verde and many more countries through MultiChoice Group’s M-Net and Canal+ Afrique.

Black Is King was in production for one year and features an impressive list of diverse voices on its creative team, including directors Emmanuel Adjei (the film Shahmaran), Blitz Bazawule (the film The Burial of Kojo), Pierre Debusschere (“Mine” and “Ghost” videos for Beyoncé), Jenn Nkiru (BLACK TO TECHNO film), Ibra Ake (creative director and producer on “This is America” video for Childish Gambino), Dikayl Rimmasch (CACHAO, UNO MAS film), Jake Nava (“Crazy in Love,” “Single Ladies,” “Partition” videos for Beyoncé) and co-director and long-time collaborator of Beyoncé, Kwasi Fordjour.

Experience a new visual album inspired by The Lion King: The Gift. Black Is King, a film by Beyoncé, is streaming exclusively July 31 on Disney+.

ABC submitted "Beyoncé Presents: Making The Gift" for the 2020 Emmy Awards consideration in 3 categories:

Outstanding Directing For A Documentary/Nonfiction Program
Outstanding Picture Editing For A Nonfiction Program
Outstanding Hosted Nonfiction Series Or Special

The nomination ballots opened for voting on July 2 and close on July 13. On July 28, the nominations in each category will be announced.

Parkwood Entertainment, in association with Disney+, announced and debuted the teaser video for the visual album “Black Is King” written, directed and executive produced by 24-time Grammy® Award-winner Beyoncé. “Black is King” will premiere globally on Disney+ on July 31, 2020 and will arrive on the heels of the one-year anniversary of the release of Disney’s global phenomenon “The Lion King.”